![]() ![]() Pitches of notes are given by their vertical position on the staff and notes are played from left to right. The musical staff is analogous to a mathematical graph of pitch with respect to time. The lines and spaces are numbered from bottom to top the bottom line is the first line and the top line is the fifth line. ![]() For example, the treble clef, also known as the G clef, is placed on the second line (counting upward), fixing that line as the pitch first G above " middle C". The absolute pitch of each line of a non-percussive staff is indicated by the placement of a clef symbol at the appropriate vertical position on the left-hand side of the staff (possibly modified by conventions for specific instruments). Musical notes are placed by pitch, percussion notes are placed by instrument, and rests and other symbols are placed by convention. ![]() Appropriate music symbols, depending on the intended effect, are placed on the staff according to their corresponding pitch or function. In Western musical notation, the staff ( UK also stave plural: staffs or staves), also occasionally referred to as a pentagram, is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, different percussion instruments. (Or, the reader can focus on fixing his or her mistakes the next time through the section.Musical notation to represent the pitch A typical five-line staff So, the reader doesn’t have to concentrate quite as much. Once the part has been read, the reader knows what to expect on subsequent passes. ![]() Using repeats also makes it easier for the music reader. Since most pieces of music contain a lot of repetition, using repeats allows the music writer to condense repetitive parts instead of writing pages and pages of the same part. Why not just write the music bar-by-bar from beginning to end? Repeats make reading music easier and help save space on the page. Then you’d go back to the beginning of the repeat section, play to the bar before the first ending and skip to the second ending. On the first pass through the music you’d play to the repeat sign of the first ending. This happens a lot in music and there is a common way of notating it.įor each ending, a bracket is drawn above the ending’s bar (or bars) along with an ending number (i.e. The first time through you play the first ending and the second time through you play the second ending. Sometimes a repeated section has two different endings. Sometimes you'll see multi-measure repeats which span 2 or more bars. A bar repeat tells you to play the same thing as in the previous bar. Measure Repeats and Multi-Measure RepeatsĪnother common type of repeat symbol you may see is a measure repeat, or bar repeat. Note: You might notice in StudyBass exercises I don’t instruct how many repeats to do. The reader should repeat only once unless there are instructions to repeat more times. If no beginning repeat symbol is written, it means you go back to the very beginning of the music and repeat from there. Most often you’ll see two repeat barline symbols – one marking the beginning of the section to repeat and one marking the end. In music notation you are often instructed to play a part of the music again – and, sometimes, many times over.Ī repeat barline symbol is drawn with a double barline and two dots-one above and one below-the middle line of the staff. Repeats and endings in written notation can be confusing. ![]()
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